{"id":1367,"date":"2024-10-14T20:47:57","date_gmt":"2024-10-14T23:47:57","guid":{"rendered":"https:\/\/cenacontemporanea.com.br\/2024\/?page_id=1367"},"modified":"2024-10-17T16:45:40","modified_gmt":"2024-10-17T19:45:40","slug":"cinema","status":"publish","type":"page","link":"https:\/\/cenacontemporanea.com.br\/2024\/cinema\/","title":{"rendered":"Cinema"},"content":{"rendered":"\t\t
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\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tcinema\/<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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\n\t\t\t\n\t\t\t\tTEATRO \u2194 CINEMA\t\t\t<\/a>\n\t\t<\/h1>\n\t\t\t\t
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Duas artistas m\u00faltiplas, com destacadas trajet\u00f3rias como diretoras de teatro, apresentam, uma vez mais, seu olhar original na dire\u00e7\u00e3o cinematogr\u00e1fica. A brasileira Bia Lessa e a argentina Lola Arias (radicada em Berlim) decidiram levar para as telas encena\u00e7\u00f5es que, em sua origem, nasceram como investiga\u00e7\u00f5es teatrais. O resultado s\u00e3o duas obras extraordin\u00e1rias, que passeiam pelas linguagens do teatro, do musical e do cinema, e que o Cena Contempor\u00e2nea tem o prazer de exibir. Entrada franca.<\/p>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tO DIABO NA RUA NO MEIO DO REDEMUNHO\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Cine Bras\u00edlia \u2013 12\/11, \u00e0s 18h Brasil, 2023, fic\u00e7\u00e3o, Cor, 127 minutos, 16 anos Entrada Franca SINOPSE: Adapta\u00e7\u00e3o do c\u00e9lebre cl\u00e1ssico \u201cGrande Sert\u00e3o: Veredas\u201d, de<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLeia a Sinopse completa >>\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t

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\n\t\t\t\n\t\t\t\tREAS\t\t\t<\/a>\n\t\t<\/h2>\n\t\t\t\t
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Cine Bras\u00edlia – 12\/11, \u00e0s 20h30 Argentina\/Alemanha, 2024, document\u00e1rio\/musical, 82 minutos Entrada Franca SINOPSE: Yoseli tem uma tatuagem da Torre Eiffel nas costas e sempre<\/p>\n\t\t<\/div>\n\t\t\n\t\t\n\t\t\tLeia a Sinopse completa >>\t\t<\/a>\n\n\t\t\t\t<\/div>\n\t\t\t\t<\/article>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

cinema\/<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1367","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/pages\/1367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/comments?post=1367"}],"version-history":[{"count":37,"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/pages\/1367\/revisions"}],"predecessor-version":[{"id":1762,"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/pages\/1367\/revisions\/1762"}],"wp:attachment":[{"href":"https:\/\/cenacontemporanea.com.br\/2024\/wp-json\/wp\/v2\/media?parent=1367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}